Audition Opportunities

Auditions for our seven Mainstage productions and two cabarets will be planned six to ten weeks before a production. Audition times, sign-up links, and casting information will be posted roughly four weeks before each audition. COVID-19 policies continue to be in place, including temperature screenings upon entry, and face covering required.

Mainstage Series Auditions

Death Trap

dir. Mary Rynders

Auditions: August 24-25, 2021
Callbacks: August 26, 2021
Performances: October 22 – November 7, 2021


Preview: October 21, 2021
Strike: November 7, 2021

One of the great popular Broadway successes, Deathtrap deals with the devious machinations of a writer of thrillers whose recent offerings have been flops and who is prepared to go to any lengths to improve his fortunes, Deathtrap provides twists and turns and sudden shocks in abundance. It’s “two-thirds thriller and one third a devilishly clever comedy.

Sister Act

dir. Mark E. Schuster

Auditions: September 28-29, 2021
Callbacks: September 30, 2021
Performances: December 3-19, 2021


Preview: December 2, 2021
Strike: December 19, 2021

Filled with powerful gospel music, outrageous dancing and a truly moving story, Sister Act will leave you breathless. A sparkling tribute to the universal power of friendship, Sister Act is reason to REJOICE!

Silent Sky

dir. Dustin J. Martin

Auditions: November 30 – December 1, 2021
Callbacks: December 2, 2021
Performances: February 4-20, 2022

Preview: February 3, 2022
Strike: February 20, 2022

When Henrietta Leavitt began work at the Harvard Observatory in the early 1900s, she wasn’t allowed to touch a telescope or express an original idea. Instead, she joins a group of women “computers,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories.

Psych

dir. Kelly Goeller

Auditions: January 11-12, 2022
Callbacks: January 13, 2022
Performances: April 15 – May 1, 2022

Preview: April 14, 2022
Strike: May 1, 2022

Edward Baxter was a successful psychiatrist, beloved by his many patients. Until he was framed for murder. Now on the run with an assumed identity and a suspicious new wife, his luck is running out. Edward seeks help from Dr. Robert Smith, a fellow psychiatrist and a man with inner demons of his own.

Mamma Mia!

dir. Kevin Sievert

Auditions: April  5-6, 2022
Callbacks: April 7, 2022
Performances: June 3-19, 2022

Preview: June 2, 2022
Strike: June 26, 2022

The story-telling magic of ABBA’s timeless songs propels this enchanting tale of love, laughter and friendship, creating an unforgettable show. A large cast, non-stop laughs and explosive dance numbers combine to make Mamma Mia! a guaranteed smash. A mother, a daughter, and three possible dads, and a trip down the aisle you’ll never forget!

Upcoming Academy Auditions

Broadway Bound: Rejection Connection

Taught by Gwen Ter Haar

Auditions: July 7, 2021, 6:00-8:00 p.m.
Ages: 9-17 years old
Rehearsals: July 12-16, 2021
Performance: July 16, 2021 @ 7:30 p.m.
Tuition: $200
(10 student max)

Is there a role you’ve always wanted to sing?  Maybe you’ve never had the opportunity to audition for it, or maybe you have and it just wasn’t in the stars.  Well, good news—this is your time!  Get the chance to perform that role that you didn’t get and let us see you shine!

Sign up for an audition slot at the link below.
https://www.signupgenius.com/go/20F0948AFAE2DABF49-broadway5

Please prepare 32 bars of any song, but preferably from the song you would like to sing for the performance.  And please provide sheet music.  Accompanist will be provided.

Commitment to Diversity and Equity

WCT is committed to increasing representation of our whole community on our WCT stage, artistic teams, staff, and volunteer groups, and are dedicated to creating a safe, respectful, and equitable workplace for all. 

We acknowledge that while we have come a long way to become equitable and accessible to our community with disabilities, and have proudly provided opportunities of leadership for all gender identities, we have not yet had a proportionate cultural representation and equity in our theatre and we are working intentionally to improve. 

If you are interested in joining the Diversity and Equitable Practices Committee, please reach out.